芳年YOSHITOSHI.NETTHE WOODBLOCK PRINT ARCHIVE

PRINT DATABASEKEYES NUMBERS 500–539

121 catalogue records, including individual prints, multi-sheet compositions and numbered series designs. Search titles, dates, catalogue numbers, formats and publishers below.

121 entries

Keyes no.ImageTitle & informationDate
500Image not availableTaira no Koremochi conquers the female demon on Mt. Togakushi. Republished by Hasegawa with incorrect date of 09/1887.Taira no koremochi togakushiyama kijo taiji no zuPublisher: Matsui11/1887
501A brief history of Japan.  Susanoo no Mikoto kills the 8-headed serpent at Hirokawa in Izumo Province. Designed in the same format as Dai nippon shiryaku zue (no. 418).A brief history of Japan. Susanoo no Mikoto kills the 8-headed serpent at Hirokawa in Izumo Province. Designed in the same format as Dai nippon shiryaku zue (no. 418).Nippon ryakushiTriptychPublisher: Izawa Genjiro12/1887
502Hakamadare Yasusuke and Kidomaru fighting with magicHakamadare Yasusuke and Kidomaru fighting with magicHakamadare yasusuke kidomaru jutsukurabe no zuVertical diptychPublisher: Matsui1887
503Image not availableThirty-two aspects of beauty in daily life.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima3/1888
503.01Noisy. A young woman of the Kansei period (1789‑1800) with a purring cat.Noisy. A young woman of the Kansei period (1789‑1800) with a purring cat.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima03/01/1888
503.02Loose. A geisha of Kyoto in the Kansei period reclining on her arm.Loose. A geisha of Kyoto in the Kansei period reclining on her arm.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima03/01/1888
503.03A prostitute of the Kansei period having arm tattooed.A prostitute of the Kansei period having arm tattooed.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima03/01/1888
503.04A geisha of the Nakanocho district of Fukagawa in the Tempo period (1830-1843) with umbrella in snow.A geisha of the Nakanocho district of Fukagawa in the Tempo period (1830-1843) with umbrella in snow.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima03/01/1888
503.05Warm. An urban widow of the Kansei period reading in kotatsu.Warm. An urban widow of the Kansei period reading in kotatsu.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima03/07/1888
503.06Delicious. A prostitute of the Kaei period (18481853) eating tempura.Delicious. A prostitute of the Kaei period (18481853) eating tempura.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima03/12/1888
503.07Interesting. A lady-in-waiting of the Bunsei period (1818-1830) looking over a railing.Interesting. A lady-in-waiting of the Bunsei period (1818-1830) looking over a railing.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima03/16/1888
503.08Dark. A housewife of the Meiji period (1868-1912) extinguishing lantern.Dark. A housewife of the Meiji period (1868-1912) extinguishing lantern.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima3/1888
503.09Irritable. The wife of a fire chief in the Kansei period seated by fireman's robe.Irritable. The wife of a fire chief in the Kansei period seated by fireman's robe.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima3/1888
503.10Hot. A housewife of the Bunsei period receiving treatment with burning moxa.Hot. A housewife of the Bunsei period receiving treatment with burning moxa.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima3/1888
503.11Awake. A young woman of the Koka period (1844‑1847) brushing her teeth.Awake. A young woman of the Koka period (1844‑1847) brushing her teeth.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima3/1888
503.12Graceful. A courtesan of the Tempo period in full regaliaGraceful. A courtesan of the Tempo period in full regaliaFuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima4/1888
503.13Chilly. A concubine of the Bunka period (1804‑1847) brushing her teeth.Chilly. A concubine of the Bunka period (1804‑1847) brushing her teeth.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima4/1888
503.14Curious. An okosho, or young woman (?) of the Tempo period.Curious. An okosho, or young woman (?) of the Tempo period.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima4/1888
503.15Elegant. A lady of the Imperial court in the Kyowa period (1801-1803) holding a closed fan.Elegant. A lady of the Imperial court in the Kyowa period (1801-1803) holding a closed fan.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima4/1888
503.16Cute. A housewife of the second decade of the Meiji period (1678-1887) holding a baby.Cute. A housewife of the second decade of the Meiji period (1678-1887) holding a baby.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima4/1888
503.17Becoming. A geisha of the Yoshiwara in the Koka period holding a fan.Becoming. A geisha of the Yoshiwara in the Koka period holding a fan.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima4/1888
503.18Sleepy. A prostitute of the Meiji period asleep by a screenSleepy. A prostitute of the Meiji period asleep by a screenFuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima4/1888
503.19Dangerous. A modern geisha of the Meiji period boarding a boat.Dangerous. A modern geisha of the Meiji period boarding a boat.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima05/03/1888
503.20Cool. A geisha of the mid-1870's seated in a boat.Cool. A geisha of the mid-1870's seated in a boat.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima05/06/1888
503.21Observant. A waitress of western Kyoto in the Meiji period examining a lantern.Observant. A waitress of western Kyoto in the Meiji period examining a lantern.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima05/20/1888
503.22Smoky. A housewife of the Kyowa period holding a fan.Smoky. A housewife of the Kyowa period holding a fan.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima05/20/1888
503.23Wanting a stroll. The wife of a nobleman of the Meiji period.Wanting a stroll. The wife of a nobleman of the Meiji period.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima06/24/1888
503.24Itchy. A concubine of the Koka period in a mosquito net.Itchy. A concubine of the Koka period in a mosquito net.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima09/16/1888
503.25Heavy. A waitress in the licensed quarters at Fukagawa in the Tempo period carrying a tray of food.Heavy. A waitress in the licensed quarters at Fukagawa in the Tempo period carrying a tray of food.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima10/06/1888
503.26Wanting to meet someone. A prostitute of the Keel period (1848-1853) in a shower of cherry petalsWanting to meet someone. A prostitute of the Keel period (1848-1853) in a shower of cherry petalsFuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima10/17/1888
503.27Enjoying. A music teacher of the Keel period playing a samisen.Enjoying. A music teacher of the Keel period playing a samisen.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima11/03/1888
503.28Embarrassed. A young woman of the Meiji period biting sleeve.Embarrassed. A young woman of the Meiji period biting sleeve.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima11/1888
503.29Shopping. A housewife of the Kaei period examin­ing potted plants.Shopping. A housewife of the Kaei period examin­ing potted plants.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima11/1888
503.30Thirsty. A shakunin, or street geisha, of the Ansei period (1854-1859) holding a wine cup.Thirsty. A shakunin, or street geisha, of the Ansei period (1854-1859) holding a wine cup.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima11/1888
503.31Unpleasant. A young woman of Nagoya in the Ansei period raising her hand.Unpleasant. A young woman of Nagoya in the Ansei period raising her hand.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima11/1888
503.32Happy. A modern geisha of the Meiji period catch­ing a firefly.Happy. A modern geisha of the Meiji period catch­ing a firefly.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima11/1888
503.33Two baskets of flowers. Title page with table of contents.Two baskets of flowers. Title page with table of contents.Fuzoku sanjunisoOban series (32 + title page).Publisher: Tsunashima11/1888
504Image not availableThe Yamato Newspaper. Probably a con­tinuation of a series published by the Yamato Newspaper that includes at least 25 other prints in chuban and Oban format (see number 488).Yamato shimbunChuban series (2).Publisher: Tsunashima6/1888
504.01Image not availableNo. 515, Portrait of actor with fan.Yamato shimbunChuban series (2).Publisher: Tsunashima6/1888
504.02Image not availableNo. 664, Half-length portrait of woman with tray.Yamato shimbunChuban series (2).Publisher: Tsunashima12/1888
505Image not availableEntertainment for the opening of a nobleman's garden.TriptychPublisher: Fukuda6/1888
506Image not availableThe seven lucky gods amusing themselves with the new calendar for 1889.Tsuchinoto ushi shingoyomi shichifukujin asobiOban12/1888
507Watanabe no Tsuna cuts off the demon's arm at Rashomon. Republished by Hasegawa with seal reading "reproduction not allowed" in upper left margin.Watanabe no Tsuna cuts off the demon's arm at Rashomon. Republished by Hasegawa with seal reading "reproduction not allowed" in upper left margin.Rashomon watanabe no tsuna kiengiri no zuVertical diptychPublisher: Matsui1888
508The depravity of the monk Seigen. Republished by Hasegawa with seal reading "reproduction not allowed" in upper left margin.The depravity of the monk Seigen. Republished by Hasegawa with seal reading "reproduction not allowed" in upper left margin.Seigen daraku no zuVertical diptychPublisher: Matsui2/28/1889
509Image not availableThirty-six supernatural beings in new forms. Republished by Matsuki, 02/1902.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki4/1889-1892
509.01Lord Sadanobu threatens the demon at night in the palace.Lord Sadanobu threatens the demon at night in the palace.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki4/1889
509.02The heron maiden.The heron maiden.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki—
509.03Takeda Katsuchiyo killing an old badger by moonlight.Takeda Katsuchiyo killing an old badger by moonlight.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki4/1889
509.04The old woman flies away with the demon's arm.The old woman flies away with the demon's arm.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki5/1889
509.05Omori Hikoshichi meets a demon on the road.Omori Hikoshichi meets a demon on the road.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki5/1889
509.06The ghost of Seigen haunts SakurahimeThe ghost of Seigen haunts SakurahimeShingata sanjurokkaisenOban series (36).Publisher: Sasaki5/1889
509.07The spirit of the Komachi cherry tree.The spirit of the Komachi cherry tree.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki10/1889
509.08Oniwakamaru observes the great carp in the pond.Oniwakamaru observes the great carp in the pond.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki10/1889
509.09Yoshihira's ghost attacks Mamba Jiro at Nuno­biki WaterfallYoshihira's ghost attacks Mamba Jiro at Nuno­biki WaterfallShingata sanjurokkaisenOban series (36).Publisher: Sasaki12/1889
509.10Kiyohime changes into a serpent at the Hidaka River.Kiyohime changes into a serpent at the Hidaka River.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki1/1890
509.11Image not availableToki Motosada hurling a devil king to the ground at Inohana Mountain in Kai Province.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki2/1890
509.12The enlightenment of the courtesan Jigokudayu.The enlightenment of the courtesan Jigokudayu.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki03/20/1890
509.13Shoki enters the emperor's dream and subjugates a demon.Shoki enters the emperor's dream and subjugates a demon.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki04/12/1890
509.14Image not availableFujiwara no Sanekata's resentment turns into sparrows.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki04/13/1890
509.15Image not availableTawara Toda shooting the giant millipede at the underwater palace of the Dragon King.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki08/24/1890
509.16Taira no Koremochi subjugates the evil demon at Togakushi Mountain.Taira no Koremochi subjugates the evil demon at Togakushi Mountain.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki08/1890
509.17Image not availableThe ghost of Okiku at the Dish MansionShingata sanjurokkaisenOban series (36).Publisher: Sasaki08/1890
509.18Image not availableTaira no Kiyomori sees several hundred skeletons at his quarters in Fukuhara.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki09/30/1890
509.19The ferocity of Tametomo driving away the smallpox demons.The ferocity of Tametomo driving away the smallpox demons.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki10/10/1890
509.20Image not availableNitta Tadatsune discovering a strange phenomenon in the cave.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki10/27/1890
509.21Image not availableI no Hayata kills the nue in the Imperial PalaceShingata sanjurokkaisenOban series (36).Publisher: Sasaki1890
509.22The fox spirit Kuzunoha parting from her child.The fox spirit Kuzunoha parting from her child.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki1890
509.23The poet Ariwara Narihira composing a poem during his travels.The poet Ariwara Narihira composing a poem during his travels.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki1890
509.24The wicked thoughts of the priest Raigo transform him into a rat.The wicked thoughts of the priest Raigo transform him into a rat.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki1/1891
509.25Mori no Rammaru observing the sago palms.Mori no Rammaru observing the sago palms.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki7/1891
509.26Tamamo no Mae standing by the Killer Rock on Nasu Moor.Tamamo no Mae standing by the Killer Rock on Nasu Moor.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki1891
509.27The ghost of the courtesan Otsuyu and the peony lantern.The ghost of the courtesan Otsuyu and the peony lantern.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki1891
509.28Image not availableThe ghost of Taira no Tomomori appearing to Yoshitsune and Benkei at DaimotsuShingata sanjurokkaisenOban series (36).Publisher: Sasaki1891
509.29Kobayakawa Takakage debating with the tengu on Mt. Hiko. E: Chokuzan.Kobayakawa Takakage debating with the tengu on Mt. Hiko. E: Chokuzan.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki1892
509.30Princess Yaegaki following the foxfires in a scene from the play Nijushiko.Princess Yaegaki following the foxfires in a scene from the play Nijushiko.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki1892
509.31Image not availableThe priest Sogi notices a pair of ghosts in an abandoned house.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki1892
509.32Image not availableMinamoto Raiko cuts at the earth spider.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki1892
509.33Botaro's nurse Otsuji prays to the god of Kompira for his success.Botaro's nurse Otsuji prays to the god of Kompira for his success.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki1892
509.34The badger that turned into a teakettle at Morinji Temple.The badger that turned into a teakettle at Morinji Temple.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki1892
509.35Oiwa and the sash serpent in the tale of the ghost of Yotsuya.Oiwa and the sash serpent in the tale of the ghost of Yotsuya.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki1892
509.36The Greedy old woman chooses the heavy chest which is full of demons.The Greedy old woman chooses the heavy chest which is full of demons.Shingata sanjurokkaisenOban series (36).Publisher: Sasaki1892
510Image not availableThe story of Takashima Oiko. See number 479.23Takashima oiko no hanashiDiptych4/1889
511Carp swimming beneath wisteria.Carp swimming beneath wisteria.TriptychPublisher: Akiyama5/1889
512Image not availableA game of 32 types of women in daily life. Reduced copies after Yoshotoshi's prints by Toshimasa.Fuzoku sanjuniso sugorokuGameboardPublisher: Sasaki11/1889
513The watermelon fight of the Imperial Boatmen near the palace at Ohama.The watermelon fight of the Imperial Boatmen near the palace at Ohama.Ohama goten ni oite ofunate suika kassenTriptych1889
514Image not availableFemale dancer with fan.. For a novel. Possibly a frontispiece.27.5 x 19.4 cm1889
515Half-length portrait of Onoe Kikugoro V as the old woman of the lonely house. Poem by Keika.  Same format as portrait of Danjuro, number 516.Half-length portrait of Onoe Kikugoro V as the old woman of the lonely house. Poem by Keika. Same format as portrait of Danjuro, number 516.TriptychPublisher: Akiyama1/1890
516Half-length portrait of Ichikawa Danjuro IX as Benkei in Kanjincho. Poem by Keika. (Same format as 515)Half-length portrait of Ichikawa Danjuro IX as Benkei in Kanjincho. Poem by Keika. (Same format as 515)TriptychPublisher: Akiyama4/1890
517Image not availableSnow, moon, and flowers. Half-length portraits of actors.Setsugekka no uchiTriptych series (3).Publisher: Akiyama08/1890
517.01Snow. Onoe Baiko (Kikugoro V) as Iwakura Sogen. Second state titled "Iwakura Sogen in the hermitage scene from Hanafubuki."Snow. Onoe Baiko (Kikugoro V) as Iwakura Sogen. Second state titled "Iwakura Sogen in the hermitage scene from Hanafubuki."Setsugekka no uchiTriptych series (3).Publisher: Akiyama08/1890
517.1aSnow: Onoe Baikō (Kikugorō V) as Iwakura Sōgen — second stateSnow: Onoe Baikō (Kikugorō V) as Iwakura Sōgen — second stateTriptych8/1890
517.02Moon. Ichikawa Sansho (Danjuro IX) as the pirate Kezori Kuemon.Moon. Ichikawa Sansho (Danjuro IX) as the pirate Kezori Kuemon.Setsugekka no uchiTriptych series (3).Publisher: Akiyama1890
517.03Flowers. Ichikawa Sadanji as Gosho no Gorozo.Flowers. Ichikawa Sadanji as Gosho no Gorozo.Setsugekka no uchiTriptych series (3).Publisher: Akiyama1890
518Image not availableMito samurai in snow on Atago Hill. Republication of number 322TriptychPublisher: Akiyama09/25/1890
519Image not availableTwo women hunting for insects. Supplement for the Miyako Newspaper. Designed together with Shotei.Miyako shimbun furokuPublisher: Miyako Shumbunsha11/1890
520Opening the storehouse (Yamauba and Kintaro).Opening the storehouse (Yamauba and Kintaro).KurabirakiTriptychPublisher: Akiyama1/1891
521Ichikawa Danjuro IX as Kuzunoha.Ichikawa Danjuro IX as Kuzunoha.Triptych3/1891
522Image not availableChild lying on ground. Facsimile of an ink sketch drawn by Yoshitoshi at Komatsukawa Hospital during his illness.19 x 25.5 cm.11/12/1891
523Image not availableThe Flowers of Japan and the Art of Floral ArrangementPublisher: Tokyo: Hakabunsha; London: Sampson, Low, Marston and Co.; Kelly & Walsh Ltd.1892
523.01Image not availableView of the Plum Blossoms.Publisher: Tokyo: Hakabunsha; London: Sampson1892
523.02Image not availableCherry Blossoms at Dusk, Yoshiwara,Publisher: Tokyo: Hakabunsha; London: Sampson1892
523.03Image not availableWisteria Blossoms, Kameido.Publisher: Tokyo: Hakabunsha; London: Sampson1892
523.04Image not availableViewing the Irises, Horikiri.Publisher: Tokyo: Hakabunsha; London: Sampson1892
523.05Image not availableViewing the Seven Flowers of Autumn.Publisher: Tokyo: Hakabunsha; London: Sampson1892
523.06Image not availableViewing the Maples at Oji.Publisher: Tokyo: Hakabunsha; London: Sampson1892
523.07Image not availableFront cover. Peony in metal vase, wisteria in hanging bamboo vase.Publisher: Tokyo: Hakabunsha; London: Sampson1892
523.08Image not availableBack cover. Camellias, water pitcher, scissors, lacquer tray; in Shijo style.Publisher: Tokyo: Hakabunsha; London: Sampson1892
524Image not availableTwenty-four good deeds of Imperial Japan. Republication of number 438.Kokoku nijushiko3/1893
525Image not availableA blind priest and Uesugi Kenshin. Republication of number 496.TriptychPublisher: Sugiyama8/1893
526Image not availableA mirror of valiant warriors: Descending geese at Yahagi Bridge. Posthumous copy of number 200.6.Eiyu bidan musha kagami yahagi no rakuganTriptychPublisher: Katata2/1894
527The vigor of Japan in the successful conquest of Korea. Republication of number 447.The vigor of Japan in the successful conquest of Korea. Republication of number 447.Seikan iko nippon no genkiTriptych7/11/1897
528Image not availableSketches by Yoshitoshi. Yoshitoshi learns the martial arts on Mt. Kurama. See number 482.Yoshitoshi mangaDiptych9/01/1897
529Image not availableTwenty-four good deeds of Imperial Japan. See number 496.Kokoku nijushiko1895
530Image not availableShizuka and Yoshitoshi part at Yoshino. See number 493.Yoshino shizuka hangan betsuriTriptych773
531Image not availableNew forms of thirty-six supernatural beings. See number 509.Shingata sanjurokkaisen822
532Image not availableAn alphabetical construction of the Treasury of Loyal Retainers.Chushingura iroha tatekataOban—
533Image not availableWooden bodies of the loyal retainers.Gishi mokutaiOban seriesPublisher: Jakurindo—
534Image not availableLady Murasaki visits Ishiyama TempleMurasaki shikibu ishiyama sanroVertical diptych1886
535Image not availableThe loyalty of Kato Kiyomasa during the great Osaka earthquake.Osaka daijishin kiyomasa seichuTriptych—
536Image not availableChronicle of the ascent of the Toyotomi clan (YK). (possibly same as 267)Toyotomi unshorokuOban series1860s
537Image not availableBurning incense at Daitoku Temple in MurasakinoMurasakino daitokuji shakoTriptychPublisher: Kobayash1880-1885

About this index

The entries in this section are transcribed from the complete Keyes database, including individual prints, series and their numbered designs. Descriptions, dates, formats and publisher names are retained from that source.

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Acknowledgements

Thanks to Antique Art Morimiya for keeping detailed images of Yoshitoshi triptychs online, including sold prints. These images helped confirm and correct catalogue titles.

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